In the third man, Erik Bünger—a Swedish-born, Berlin-based multimedia artist—uses the format of the lecture to explore the nature of sound, memory and so-called “ear-worms.” Prior to his performance at Vancouver’s VOICE OVER mind Festival, I had the chance to ask Bünger some questions about the project. These are his responses.
A performance artist/inventor/composer/sound poet/installation artist/instrument maker/sometimes theatre director with a degree in philosophy and aesthetics, Tomomi Adachi must have one hell of a business card. In the weeks leading up to Adachi’s performance at Vancouver’s VOICE OVER mind Festival, I exchanged a few words with the Berlin-based polymath over email. Here’s our conversation in full. (more…)
In our age of digital oversaturation, Petra van der Schoot—an interdisciplinary artist based out of the Netherlands—has a surprisingly sparse internet footprint. But the description offered by Vancouver’s VOICE OVER mind Festival, in which van der Schoot will be performing later this month, paints an intriguing picture. According to the brief blurb, she’s a “multi-faceted artist with a focus and desire to bring the disciplines of image and music together in various new forms.” In the weeks leading up to the festival, I had the pleasure to speak with the artist via a grainy Skype connection. (more…)
Originally published on Goodreads.
With several hours to kill before an appointment, I decided to pop inside a bookstore to pick up something “short but old.” In pursuit of this end, I solicited the aid of the shop lady, one of those former English majors who’ve evidently forgotten everything they might have once learned in university. Following several false starts (“Sorry, ma’am, but I’ve already read both Animal Farm and The Metamorphosis“), she pulled a slender book from the shelf, saying as she did so: “I can’t remember if I read this in school, but I think people view it as important for feminism or something.”
As a logical, sensitive, systematic and passionate person, no dichotomy irks me quite like the one between reason and emotion. Since the enlightenment and beyond, these two human capacities have been viewed as diametrically opposite. Of course, reason—with its allegedly “masculine” temperament—has traditionally come out on top.
The opposition still exists, but it’s been reframed in terms of “heart” versus “head,” “feeling” versus “thinking” and so forth. These days, people self-identify with a particular hemisphere of the brain. “I’m a right brained thinker,” someone might say, “so I’m no good at math.” Our values have also undergone a shift. In our largely anti-intellectual times, the long-venerated Head—formerly the focal point of unbenighted rationality—now carries connotations of parochialism, aloofness and irrelevance. Think: “egghead.” (more…)